Wednesday, February 16, 2011

Retirement Cards Wording

Denis Robert: ten years and all his teeth!

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Denis Robert has just been cleared by the Supreme Court against his conviction for two of his books (Revelation $ and The Black Box ) and a documentary (The Concealers ), broadcast on Canal +.

After ten years of litigation, won a victory against Clearstream but also against those who, like Philippe Val and Edwy Plenel, had increased suspicions about the quality and reliability of his work.

In his fight, Denis Robert took enormous risks and we can only rejoice today that these decisions do not erase the system of course, but are a slap masterful in a corrupt system that wanted to get the victim to the executioner.

is a breath of fresh air for all those who fight for truth and against the uncontrolled movement of capital around the world.

Bravo Denis!


(Courtesy of the author, the text that Denis Robert wrote to all his friends )

Ten years and all my teeth

Note to my friends and friends of my friends who have blurred the memory and ask me details about the judgments of the Court of Cassation coming fall. First you say they put an end a long legal battle and they delight me.

past ten years $ Revelation is released (February 28, 2001), numerous complaints were filed against my editor, the channels that have aired my films, many newspapers and against me. Some sixty in all, in several countries, including access to criminal proceedings and civil party.

Of those, ten came from the General Bank of Luxembourg and a score has been launched by the Menatep, a bank linked to the Russian mafia. I can say that overall I won all these trials.

The clearing house Clearstream Luxembourg has commissioned many of the other procedures. Their strategy was essentially based on slander, extreme bad faith, harassment, intimidation and relentless.

This strategy, far right, fails miserably today to make room for Justice and Journalism. A victory without fanfare. A victory in stone. A memory Victory soon. Whatever. This decision opens up interesting perspectives. Clearstream will no longer be like before ...

Twenty complaints were filed by the multinational in France, Belgium, Luxembourg, causing hundreds of visits from bailiffs to my home. Past the limits, I lost count.

I lost a few cases (especially for interviews to newspapers, I think Southwest or VOD). I won ( Le Nouvel Observateur, Le Point, "Everyone talks about" on France 2). I could and I due, if I had the financial means to go systematically all these procedures until the Court of Cassation. I did that for three of them. Most important to me, since these procedures involved the two original books Revelation $ The Black Box and concealment, my first documentary on the case.

Nevermind Clearstream investigation, which resulted in a conviction symbolic (but expensive in legal costs) in Luxembourg, to interest us for the rest ...

Revelation For $ and The Concealers (my first documentary, broadcast in February 2001), I was sentenced for defamation to the tune of one symbolic euro in damages in March 2004 and (on appeal) to € 1,500 in October 2008 without counting the costs. For

The Black Box (released in October 2002), Clearstream was dismissed and ordered to pay me € 3,500 in damages at trial. In the Court of Appeal (Paris, October 2008), I was sentenced to € 1,500, excluding the costs of procedures and publishing decisions.

I lodged an appeal. I took this decision against the advice of many people, including my editor, Arenas, and Canal +, who refused to continue the proceedings. I do not overwhelm. In their place, they were probably difficult to go after the battle with me. Some have released before.

In the days that followed the decisions of the appellate court, Clearstream has bought a page in The World to propose a compromise which was to accept these convictions against non-execution of judgments. Basically, non-payment of amounts which I was convicted.

It was unthinkable to accept such a compromise, to renounce my work, my investigation. It was essential to the founding principles that must be journalism, to fight to the end to get a decision recognizing the right. I was ready to go until the European Court of Human Rights if necessary.

I knew what I had seen and done. I integrated the stakes of this battle. A healthy financial system was initially misled, opening up incredible opportunities for concealment. My investigation was is, will remain valid. My writings are based on documents, letters, listings, microfiche, filmed testimonies. Adequately substantiated that helped to update the accounts unpublished producing opacity, a system of erasing traces of transactions, the likelihood of a strong dual account of alleged links between Clearstream and the Church Scientology, hosting mafia banks, the use of Clearstream for the implementation of covert operations, the total lack of transparency and control, complicity of auditors, dismissal of staff who refused to carry out accounting manipulations and publish assessments done ... My make-up investigation and simply reading my documents showed, show that this firm housed more than 6,000 accounts in tax havens. Among these accounts, offshore companies, but also subsidiaries of banks respectable. I found that multinational oil companies, agribusiness and industrial had also opened accounts at Clearstream discrete. I pass and scores.

Beyond the spotlight on the firm, all of this work shed light on a disturbing drift system international financial and revealed the outlines of a truly parallel financing.

I knew a lot and I did not want me to shut up. I remained convinced that the judges of the appellate court does not consider me as he had given evidence in the file.

The support of my friends in the committee and the thousand eight hundred eighty-six people who supported what has become a long struggle were decisive.

Canal + and my publisher were sentenced by my side, but Clearstream has consistently returned to me. The aim was not so much money the willingness to financially choke me, stop me from continuing my research and defend myself.

The tipping point has been called the criminal case "Clearteam 2". One involving Dominique de Villepin.

Clearstream claimed damages in this proceeding on fake listings. I was indicted for theft and handling stolen goods at the end of 2006. Therefore, without my realizing it, the suspicion has switched sides. Communicators of the firm and their lawyers have skillfully used this second procedure to influence the courts in the trial had formed.

Clearstream introduced me as the centerpiece of this new case that had no connection with disputes concerning us. Attempt to ridicule my work was not enough, he should have practiced the amalgam and confusion.

How many times have I heard of the firm's lawyers or journalists malicious fun of "my mistakes", call me the "forger" or "conspiracy". All this has played. As had to play the venomous articles written by attorneys with mustache, editors at two balls, caretakers of the Net. I know I should not. But hey. I also think some political who supported me and suddenly dropped his eyes.

I stopped my blog. I stopped the front contact. I stayed Zen. I expected it to pass. I was relaxed in January 2010. This decision is final criminal.

For the rest, I expected that judges consider quietly. Far from the tumult. That's what just happened.

The Court of Cassation is the highest French court. The last action before the European Court of Human Rights. I had planned.

Each of the three cases which frees me Clearstream is now overwhelming and written in clear, precise and unambiguous. The Court of Cassation "authorizes" the remarks and accusations contained in my two books and my documentary.

First Civil Chamber of the Supreme Court, relying on Article 10 of the European Court of Human Rights, has made three stops sounding the death knell to my problems and open large gaps in those who m 'attack.

is fundamental. It will set a precedent.

The arguments raised by the Court of Cassation are entirely those developed by my defenders, Michel Zaoui, Bénédicte Litzler, during the ten years of litigation. These arguments were argued by Denis Carbonnier the Court of Cassation. It is a recognition of the quality of their work and mine.

The Court of Cassation overturned three convictions of my October 16, 2008 for defamation. It expressly recognized "the general interest of the subject" and the "seriousness of my investigation."

Everyone everywhere can now quote what I wrote.

Ten years to measure the blindness of the leader of Clearstream who originally complained against me. His successors have not shown more foresight they have consistently encouraged and relayed these complaints.

I do not know what will become of the information contained in my books and movies. I do not know what the Germans who bought Clearstream in 2002 (after my investigation) and have always found these abuses did. The Luxembourg court is poorly equipped to address these issues, and European justice still fails, I fear that the struggle to bring some rationality and control in this bank of banks is still long. Yet here as elsewhere, the issue of regulation of capitalism arises. I remember this number: Clearstream announced in 2010 more than ten trillion euros of values recorded in its accounts. Ten thousand billion euros.

To return to the judgments of the Court of Cassation, all applications of Clearstream against me are definitively rejected. They are condemned to pay me the sum of € 9,000 in respect of legal costs and pay me the amount of my previous convictions quashed today.

As regards the financial and moral damage suffered by me during these years, the three cases are referred to the Court of Appeal of Lyon. I will seek redress leaders of the firm.

By their harassment, their stubbornness, their lies, their judicial persecution, Clearstream and are responsible for communicating its ten years in many ways lost.

The financial crisis is crossed, it is clear the political and financial reasons that led them - by all means - to silence me. They did not succeed. In the end, my whole investigation is fully validated. The rulings are final and without recourse to Clearstream.

Thanks from my heart to all who supported me. And many of you. I've never felt alone or anxious during those years. And that I owe you.

Denis Robert Chatel, February 7, 2011


When Philippe Val spoke to Denis Robert and Philippe Val in his (low) work!



Flickr photo-cc: Denis Robert by tendencies (http://www.flickr.com/photos/tendencies/432768482/)


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http://reformeraujourdhui.blogspot.com/2008/01/tous-les-billets-du-blog-reformer.html

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Tuesday, February 15, 2011

Waffle Iron Stainless Steel Baking Plates

News from February to March

February, where "it" seems

I'm awaiting delivery of At Out of the Shadow . One day, I am the incarnation of zen, the next I is impatient. The cartons are not there yet, but the next editions of Laugh, we're already grind to organize delivery and distribution of news services. It's very exciting.

The press services, what is it? Well, these are the books my publisher sends to websites and newspapers for its promotion. I have the list, I would watch more than returns once they have been shipped.

The main information is essential is that they arrive Wednesday or Thursday morning! So I get my card from the hands of my publisher this Thursday! * Fashion * youplavie

Promised to those who requested autographs, I will do my best so it does not delay their delivery too. I also promise you pictures of the unpacking at home. I keep the promise anyway.

Other exciting news, morbid curiosity seems very shortly in the number Ink and Dark Night of . It is a text that introduces the world of At Out of the Shadow , with the particularity of being very short. I hope you enjoy it.
Number Ink and Dark Night of


Mars, where it moves
4 and 5 March, I went to the festival Free Zone, in Bagneux. I suggest you take a look at program, very interesting: many conferences and exhibitors around the imaginary, it'll be a treat.

The Friday at 3:00 p.m., I represent CoCyclics with my friend Silvie a round table on littaires agents and collaboration with the authors, along with Juliette Joste and Stéphane Marsan *. The exact theme is: literary agents and authors, how to work together?

The rest of the day you can find me on the s tand CoCyclics .


The Saturday afternoon, I'm in the booth of dedication Laugh editions. Hope to see you there to exchange a few words speak of At Out of the Shadow (perhaps you've had time to read it, who knows?)

Please let me make a short visit (I'll put bait to readers on the table, gender, chocolates or sweets.)


* See also blog Bragelonne:
http://bragelonne-le-blog.fantasyblog .fr/post/2/6152

And if not?

Otherwise, I'm still working on Volume 1 of Siwès Chronicles. I split a more sober version of my vision, I need to motivate myself thoroughly. I am very demanding with the beginning of the novel, but I think I am approaching the final version. I'll test on one or two new readers.


(You can download it by clicking above.)

Monday, February 7, 2011

Kate's Playground Free



To believe that I can not help it. I was determined not to write or correct anything, this week. History to enjoy the anticipation of At Out of the Shadow (which will happen in the printing by the end of week). I have rewritten the first pages of The Phantom Warrior . You see, I have a thorny problem for those first pages. At first it has no name *. What complicates the narrative, in any event, it does not amount to much problem.

It's always difficult to start a novel. In my view the first pages set the tone, they pose the problem of the plot, they constitute a contract with the reader, they contain the fundamental elements of the story (the foundations). In fact, they are all traps.

[Note, as with the adventures of Robert, than I give here my personal view and moderate on the issue, this does not mean absolute truths. The "you" to follow are as many "I".]

Choosing the right point of view, favorable to your protagonists

I think the first trap is to write the first pages that do not at all stage actors (I do not speak the prologue, which is another thorny issue, considered separately.) If you put a secondary character on stage, there are good chances that the reader confused with the protagonists. Thereafter, it will wait for you to come back on them and you might annoy him if he understood too late that in fact they are not the protagonists (gender, it has had time to focus on them and worse if history pleases him more than your characters.)

[Obviously, you can always find cases where we do not start with the protagonists, for example, because they are presented indirectly through other characters, so that the reader is impatient to meet them.]

If your story tells the incredible commitment of a berserk for a fabulous tiger who lives in another world and it is ready for anything, even influence the course of the war, to protect it, eh, you must start with them. If you start with an army marching on ISPAR who intend to settle there to save hands on the reserves Olyre Circle, his enemy is not the same story, just because you change point of view.

short, we must adopt the right perspective from the outset.

properly manage information

The second trap is the problem of information. Ah the information! Managing information at the beginning of the novel! This is a real art! It's not for nothing that the beginning of a novel, it's super hard to write, that's a big mess, and that I should put a stick on the side of my desk (note: the cabinet) for each rewrite beginning of my novel.

[How many times already The Phantom Warrior ? I think my page FaceDeBouc is the status that comes up most often. Um, I digress.]

The most common problem found, especially with first novels, it will be the lack of information. Genre, too mysterious killer mystery (and the reader, especially the drive, and the publisher's worse, it has already Stretched to the following script.) Reader loves to discover the springs of the plot, not one punches him a total of 300 pages later, because he hates not understand what is happening. (And you can not compensate showing them to distract the world, it is not enough.)

Conversely, when we hope as I have cared for, we have a list of items to cram for his first pages because that we chose the difficulty with a character who is anything but ordinary and want to put its bases from the beginning, we risk falling choice in the presentation, or the overabundance of details that the reader will retain not. So be careful to deliver information as and when, so that the reader is able to assimilate, and especially to keep the story alive, is not it, because the information should not overshadow that you tell a story that gives readers emotions.

the tone and stick

Another thing, you must set the tone and stick to it. I mean if you promise an epic novel full of twists, you must save from the beginning. If your novel speaks of the shadow of big monsters, we must mention the ugly from the first pages. If you write a cop, you're going to stage an investigator, a crime scene, and finally one of the things typically found. If you write a saga that takes its time, you just take your time and "put" the first pages, exactly. There are codes. The player does not comply mistaken. We can not, for example, write the first pages where the fantastic burst and not to mention during the first half of the novel.

Same thing for the style and register, once defined, you can not go back. Unable to start a comic story and the gore switch halfway, forgetting the comic, without expecting retaliation from your (beta-) readers.

Present your characters faithfully

One last point (and I wonder how many more I could have missed), your characters must be true to themselves. They should look like they are in the novel because the reader will get an idea of them in these first few pages and it will stick to it stubbornly, for a while. Of course, this picture may change with the story, but only if they are progressing with the story. If 50 pages later, they reveal another unexpected personality, he'll have to prepare the ground: readers hate being lied to or being the dupe unless you have a good reason, even a good reason (which passed the pill.)

So if Siwès does not flinch when 10 tons of barbarc darken over him, it does will not cry at the sight of frightened maid Tadjal for the first time. (Remember the front page that I posted - it's true that I like it when it screams.) And if it is the type to take initiative, the very large (not just to move once it is trapped), it must be fast. Basically, what characterizes the novel must characterize the outset.

And, for that matter, it is best to choose a scene that presents them at their best (not boring, soft, boring, etc..) Think up the stack to read your editor player. ..

In conclusion, the test


The first pages and create an expectation lay the cornerstones of the coherence of the story, OK. Ideally, the reader should be able to summarize what History speaks in absolute from the first pages. Test with random titles.

Patrick Rothfuss, The Name of the Wind : This is the story of the greatest wizard of all time tells his extraordinary life, and he does it in three days (one volume = one day).

Nadia Coste, Les Rives du Monde : This is the story of a fedeylin, a small winged being, born unbranded, which means he has no fate ( unlike the others). His life will not be easy every day.

Another , Christophe Nicolas: It's about a guy who is up to our necks in bullshit and finds himself mistaken for another (no similarity) without understands nothing.

The flavor of figs, of Silenus is the story of a girl who is beautiful with her grand-mother honor an appointment at the other end of a post-apo.

Again?
At Out of the Shadow is the story of a priestess tormented by a monster and his bodyguards, who are chased by the Illuminati (it would also release the monster is awfully intriguing, is not it?)


What I say, as

You see a little dimension to the problem? "And all this by ensure that the first pages scotchent editor the reader to book so it will never let go and offer you a pot of gold when he has finished .

Meanwhile, the first 7 pages are parties to my two beta readers favorites. If they say it is not good, I start again. I write it back ten times if necessary (I'm not kidding, I never joke). When I think I thought I was high and that for this one, it would be a cakewalk. Surprise! Each new novel is by definition new . Ah ah ah. Life is a bitch.

PS: In truth, I'm having. If you are wise, and that the two beta-readers to validate, you may have right too. I will have comments to encourage me. Mouahahahahah!


* Ah, but hey, it's an idea that I could put it italic, just to remove all ambiguities Point Of View.